The post-lockdown return of L.A. concert staple Dancing Man

One day in March last year, when a pandemic struck the world and nightlife was

One day in March last year, when a pandemic struck the world and nightlife was closed, 70-year-old Howard Mordeau began to be surprised to see his empty calendar.

Known to countless Southern California concert attendees as the “front row” Mordo, its silver-haired dancingman or a variation thereof, Mordo has participated in thousands of gigs since the early 1970s, most of them very much. I’m digging a groove to make it stand out. On that fateful day, the self-proclaimed “attention whore” faced the abyss.

“I was shocked. Mordo said last week from his home in Woodland Hills, hours after he almost lost his My Morning Jacket ticket due to a forced error when trying to play a system with a pair of computers. ..

If you’re looking for a symbol that’s bringing the concert business back to life, check out Mordoh’s updated calendar.

If you’ve been, you witnessed his passion Hollywood bowl Past, for example 40 years: With long wavy gray hair, now retired laboratory scientists usually peek into and around the reserved garden box seats on the right side of the stage. Forum, Mentha, Wilturn, Roxy, Greece, etc .: He dominated all the aisles and dance floors.

His husband, Ken Warren, retired from Plus One in Mordo long ago. “I used to be embarrassed, but I quickly got over it,” Warren says in a new documentary, “The Dancing Man in LA.” I’ve spent over $ 40,000 on tickets for over a year. “And that was before the tickets became very expensive,” Bordoh brags. Asked to guess the number of concerts he attended, Mordoh goes blank. During the summer, there are 5-8 shows a week. During the off-season, there are several shows a week.

It’s a cross-country LCD soundsystem documentary, “Shut Up and Play the Hits,” where he spins like a mushroom ballet dancer in Madison Square Garden. You can easily spy on him in the classic documentary “The Last Waltz” about Martin Scorsese’s band in San Francisco 35 years ago. Here you can see Mordo sneaking into an 8mm color camera and shooting one of the many fragments in the front row. He caught the night. It remains his favorite concert so far.

In March 2020, when Mordoh’s normal management and color-coded daily schedule (waiting for the next ticket in the morning in an online queue and attending concerts 5-8 times a week in the evening) was blank. , His friend Jen Fodor and documentary co-director Scott Shepherd were there to catch it.

“”LA dancing manShows that Mordoh talks about his life as a Southern California groover and hums it at various pre-COVID concerts. Next — Be careful of spoilers! — Pandemic hits and directors, like everyone else, are forced to adapt. The 25-minute movie, which began long before everyone knew that viruses would change the nightlife, premiered on Monday as part of PBS’s acclaimed Independent Lens series on the PBS app and YouTube.

“My friends will say,’Oh, Howard, you’ll be late,’ I didn’t know the world would slow me,” says Mordoh.

“My friends will say,’Oh, Howard, you’ll be late,’” says Mordo. “I didn’t know the world would slow me down.”

(Myeong J. Chun / Los Angeles Times)

Shepherd who also produced and directed the feature documentary “”“Acts of love” and “airplanes, trains, and three-wheeled taxis” call Mordo “a staple of Southern California,” and he has been the focus of concerts for many years. “I met him on the way to the Hollywood Bowl seat. He was dancing in the aisle before the show started, and he always seems to have the best night of his life. He I am very happy. “

Mold recalled this in a documentary, “Some of my friends get angry with me because you’re not paying attention to the concert, Howard. You’re busy dancing and others I’m busy watching you.

Anyone who has been to the same concert as Mordoh will have seen it in action. He dances in a deadhead-style abandonment, his arms move in unison, and his knees and feet often act as stepping stones that drive him into a series of spins. Every whirlwind has delight.

“I was able to dance before I walked,” Mordoh says in the movie. His parents were competitive swing dancers, and he and his drummer sister Joyce saw the “American Bandstand” and tried to learn the latest moves. Eventually, the brothers appeared on the show as dancers. Mordeaux’s arsenal doubled when the “Soul Train” began to inform him of his operations.

His first concert was March 15, 1969. Iron Butterfly, a psychedelic rock band held at Rose Palace in Pasadena.In Kadada Vida“Travel. In 1976, when he and some friends waited side by side for nearly two days to get tickets for Paul McCartney and Wings’ concerts at the forum, he received his first media attention as a fan. Collected. Then at the age of 25, he was in the first row. A photo of him at the ticket office was posted in the Times. Not shown, McCartney pressed an 8 mm camera against his trousers. He’s filming a three-and-a-half-minute reel of night highlights by David Bowie, Patty Smith, Divo, Iggy Pop, Shin Rigi, Parliament Building-Funkaderick, Blondie and more. I did the same at the early concerts.

He lists some in the movie. “Bruce Springsteen and E Street Band at the 1978 Forum. Bruce Springsteen at Santa Monica Civic. [Auditorium] 1976. Fleetwood Mac at the 1977 Forum, center of third row. Queen, March 1976. I got Queen videos from all the tours I’ve done so far, until I stopped bringing my camera. If an act is booked in town for two nights, Mordoh will buy both tickets. One is for shooting and the other is for dancing.

There was an incident. The privileged garden box holder is not the vibrant front row of Mordo. A sharp glaring from her husband, whose wife is dancing a little too close to him. The fans sitting right behind him who wanted to enjoy a relaxing, undisturbed night under the stars experiencing live music are miserable.

“There are always one or two people who get angry with me.” Sit down! I paid a lot of money for these seats! Well, so do I. I am here to enjoy music and dance. He adds that if he is the only dancer, security often asks him to sit down. He will obey, but his strategy to prevent this is to encourage so many dancers to join him. Someone must be the first person to boogie.

Fodor has been a concert companion with Mordoh for several years. After she interviewed Mordoh on a music industry podcast, she said,I like music“She and Shepherd began discussing the idea of ​​recording the life of a dancing man as a fan.

“I thought,’Let’s start with a character piece about Howard and his concert addiction,’” says Fodor. Later, when the venue was closed after COVID and the nightlife died, they knew that Mordo’s withdrawal and how he dealt with it needed to be documented.

It was hard in the morning. Without his routine, Mordo often woke up in horror on a wide open day lying in front of him. There is nothing to look forward to. There are no tickets to pursue. There is no joint dance. He was immediately drawn to the next best thing. “I dug into pay-per-view stuff and danced in my living room in my underwear,” says Mordoh.

In the documentary, Mordo appears in Zoom Cole, wearing a robe but shirtless, explaining the reality of “Groundhog Day” in his pandemic life. He compares the loss of live music to going through various stages of grief. He talked to the therapist on a regular basis.

Restless Mordo began hiking during the day and exploring the city’s food scene at night. What is his latest joy? “A gorgeous takeaway at that restaurant Vespertine,” he says. “People think I’m crazy, but I’m excited. That’s what I should do.”

Mordoh’s return to public dance came two weeks ago.Vax Live“concert. So at SoFi Stadium, he was caught by a camera moving to Foo Fighters, J Balvin, Eddie Vedder and more.

On Facebook, where he posted as “LA Locker,” Mordo called it a “great night,” and “they put me in the middle of the sixth row of the aisle … vibrating through my body and light. It was a catharsis, a big musical sensation face! “

He said his schedule wouldn’t really get off to a good start until after July, but he’s back in the hunt for release dates. “August, September and October are all full,” he says. “Today I bought something for the Greek Theater. A year away.”

On Friday, Mordo woke up at 3am and drove to the Santa Barbara Bowl to secure a seat for the next fish show. As one of the only remaining venues to prioritize customers at the forefront of the physical line, the Santa Barbara Bowl rewards old-fashioned fandom. The confusion with My Morning Jacket tickets was a classic example of things that could go wrong.

“I forgot all the stress of getting a ticket,” he says with a sigh.

The post-lockdown return of L.A. concert staple Dancing Man Source link The post-lockdown return of L.A. concert staple Dancing Man