Junichi Abe sent his vibrant tumble assortment down a runway in the Happo-en yard of Tokyo, and livestreamed the show. Night time experienced fallen and the styles could be noticed doing the job their way through a winding, tree-lined pathway, dimly lit in blue. When they stepped on to the properly-lit runway, the shades out of the blue sprang to existence.
Overall, it was in fact a more muted palette than standard, but that manufactured the brightly hued accents stand out even more robust — the red stripes lining a abundant suede bomber, say, or a patch of turquoise mesh affixed to the breast of a fit coat. This period was an exercising of minimalism for Abe, and vintage designs dominated: very long trenchcoats, common wool blazers, cardigans and ample, pleated trousers in pale beige and olive tones, various shades of gray and deep browns.
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That was the base to which he utilized his magic, splicing and dicing bits of technological sportswear, knit sweaters, the panel of a accommodate jacket, the collar of a uniform shirt, a shrunk-down vest — you name it. He ongoing his new experiment in shrinkage and layering, tossing a vivid environmentally friendly kid-sized puffer jacket with adult-lengthed arms above a houndstooth coat and a sporty pullover.
Substantially of this experimentation felt like embellishment — a jumble of lace, ribbons and polka dots highlighting a shoulder, or an further collar framing the experience — which was an exciting advancement at a time when his longtime pursuit of patching alongside one another disparate parts feels so related, with the upcycling movement offering increase to far more eclectic kinds.
Footwear, an additional Abe specialty, was further-appealing: those colorfully layered sneakers, the white types, way too, and studded loafers. Eye-catching, all of it, even through the screen.
Launch Gallery: Kolor Men’s Fall 2021