With His Fashionable New Tunes Video clip ‘Worth a Million,’ Jeremy Pope Tends to make His Mark

Most songs videos are all about escapism and fantasy, but when Jeremy Pope started to brainstorm his newest, “Worth a Million,” his eyesight was firmly rooted in the personal. The very first music off his forthcoming album, the observe explores identity and self-love, two factors Pope discovered himself reflecting on through the past calendar year. “I invested a great deal of time heading inward and facing my insecurities,” he suggests on the mobile phone from Mississippi, wherever he’s filming Magnificence Bratton’s autobiographical Marine Corps drama, The Inspection. “I came to the summary that I was not absolutely sure how to appreciate myself. What does it even imply to like all variations of yourself?” The procedure of channeling these introspective questions into music may possibly be challenging, but Pope transformed his emotions into lyrics immediately after an intensive treatment session. “It’s a piece about becoming read. I was struggling and seeking to find a resolution, so it was an intriguing but vulnerable position to be in,” he claims. “[Afterwards] I started off to piece every thing alongside one another for me, the track isn’t entire until eventually there is a visual.” 

The resulting video clip, directed by C Prinz, distills Pope’s eyesight into an expressive clip that brims with model as he reveals new layers of himself while singing, dancing, and commanding the display screen with swagger. Though he’s utilised to taking on new personas for work—his performances as bold screenwriter Archie Coleman in Ryan Murphy’s mini-series Hollywood and elite prep college pupil Pharus in Broadway’s Choir Boy earned him an Emmy and Tony nomination, respectively—working on the song authorized him the likelihood to present himself to the globe anew. “As an actor, you are introduced with characters to participate in, and you join with points to portray them,” claims Pope. “But it’s as a result of music that I’ve been in a position to discover who I am as a man or woman.”

Onscreen, Pope has explored queer Black identification in the course of various of his roles. Nevertheless, it took time for him to sense comfortable sufficient to share his possess journey and split from the anticipations he felt imposed upon him. “As an brazenly queer Black male there are suggestions that modern society places on you, limitations about what you can and cannot do,” he states. “I’ve had to discover to adore each the masculine and feminine sides of myself. [Writing and making music] has delivered so much therapeutic.” It is this sense of vulnerability that lends the song a particular resonance. Even without the need of the history details, its themes of heartache, confusion, and appreciate are universal. “That 1st line, ‘Why do we overcomplicate factors?’ You can say that to another person, or you could be declaring it to on your own,” suggests Pope. “It was me trying to get back again to the main of who I am.”

Inside of the movie, that development is represented by garments. Stylist Juliann McCandless used a wide variety of runway seems that keep with the sleekness of the visuals whilst reflecting a luxurious sensibility that flouts common gender constructs. Pope seems to be equally at dwelling in a pair of black puffer trousers as he does in the ivory ruffles of Mikhael Kale’s floor-size gown. “I realized that vogue would be an crucial aspect of our story,” says Pope. Just about every piece in the movie is also imbued with its individual unique which means. “There is a shot at the major of the video the place I’m putting on this stunning armor, but you only see the back again of me, you’re not searching at my eyes. Our masculinity is our armor, it’s what has retained us secure for so several decades, but when you eventually get to search in my eyes and see who I really am, I’m sporting a layered white costume,” suggests Pope. “[The styling] is taking part in with the idea that after you truly see an individual, you comprehend there’s so much additional to persons than what they are sporting.” 

The Kale-developed seem was among the the very last McCandless and Pope attempted out during fittings, but its affect was right away felt. “Juliann experienced 30-plus seems all chosen with intention she killed it. With the gown, I imagine she required to make guaranteed that I was snug and that she wasn’t offending me by suggesting it,” says Pope. “If just about anything, I felt empowered, seeing my system in a limited dress—one that was actually worn by Kendall Jenner on the include of a magazine not way too prolonged in the past. I’m so glad that we tried it for the reason that the dress became the video’s thesis assertion, a visible representation of what I desired the music to stand for.” 

Pope is not the only a single dressed to the nines, both. The movie showcases a assorted forged of talents, from modeling star Adut Akech and collaborators like Pope’s choreographer Parris Goebel, with just about every representing a unique discipline. Still, they ended up united by their dedication to artistry. “It’s been these kinds of a blessing to be capable to function for the duration of these tough periods. We have all been hoping to determine out how we can continue to use our presents and be of provider,” says Pope. “While I was composing ‘Worth a Million,’ I was assembly with distinct folks over Zoom just chatting about what we can do. Often, there wasn’t a goal in mind. It was a lot more like: ‘Hey, I respect you, I see you and consider what you’re accomplishing is wonderful. It was actually about supplying persons their bouquets.”

It’s uncommon for Zoom discussions to blossom into a comprehensive-scale imaginative endeavor, but it speaks to Pope’s talent and project’s attractiveness. “As an impartial artist, there is no roadmap, and this was so specific mainly because the tune commenced with me by itself in an condominium in New York in the course of the pandemic, just crafting and discovering. It was such an personal piece, just one where I invested in myself and had to have faith in my instincts,” states Pope. “So the reality that these people today thought in me, wanted to lift me up and be there for me in this vulnerable area of sharing artwork that isn’t a character a person has instructed me to perform was extraordinary and a thing I’m so grateful for.”